On March 30, 1853 a boy was born to the family of
a Dutch village vicar: Vincent Willem van Gogh.
After getting
school education, van Gogh started his career as a picture salesman: in The
Hague (1869) he entered the branch office of the Paris art dealer Goupil &
Cie, founded originally by his uncle Vincent. As an agent of the company he
worked in Brussels (1873), London (1873) and Paris (1875). But his personal
disappointment increased and he left Goupil.
Van Gogh
tried himself as a teacher in Ramsgate near London (April-December 1876), then
he worked as an apprentice lay preacher and wanted to devote his life to
evangelization of the poor. In 1878 Vincent began a three-month course in
preaching in an Evangelist school in Laeken, near Brussels. At school he was
considered unsuitable for the lay-preaching profession. But he persistently
followed his inclination and went to Borinage, the Belgian coal mining area
close to the French border. There, living in extreme poverty, he visited sick
people and read the Bible to the miners.
In 1879
Vincent got permission to work for 6 months as a lay preacher in Borinage. But
his involvement in the plight of the poor irritated his superiors, and his
contract was not extended under the pretext that his rhetorical talents were
insufficient. He continued to work without any payment until July 1880. In
Borinage Vincent experienced a period of deep personal crisis, which was to mold
his later life. While in Borinage he drew much, made sketches of the miners’
environment. Meanwhile his four-years younger brother, Theo ((1857-1891), began
to work at Goupil’s in Paris and started to support Vincent financially. He
also encouraged Vincent in his wish to become an artist.
Having chosen
art as his new profession van Gogh went to Brussels (October 1880- April 1881),
where he studied anatomical and perspective drawing at the Academy of Art. In
January 1882 he moved to The Hague and settled there not far from his cousin,
the artist Mauve, whom he admired and who became his teacher. With Mauve van
Gogh for the first time tried oils. Accordingly, his early painting of August
1882 Beach
with Figures and Sea with a Ship is strongly influenced by The Hague
School to which Mauve belonged. During 1883-1885 van Gogh traveled and worked in
The Hague, Nueven, where his parents' new home was, Amsterdam. His models were
poor people, slums, hard working peasants; he painted landscapes and town views,
all in dark, somber colors.
March 26,
1885 his father died. Vincent was heart-broken. In this mood he painted The
Potato-Eaters, the main work of his Dutch period. In January 1886 he
entered the Ecole des Beaux-Arts in Antwerp, but already in March he left it and
arrived in Paris. He started studies in Cormon studio, the owner of which, the
painter Fernand Cormon, was a fairly unknown artist, but a quite successful
teacher. Van Gogh studied in the studio for 3 months. Here he made friends with
Toulouse-Latrec and Emile Bernard. Theo introduced him to Monet,
Renoir, Sisley,
Pissarro, Degas,
Signac, Seurat,
and Gauguin who
came to Paris from Pont-Aven. From now on the colors on Vincent’s palette
became considerably brighter; under the influence of Impressionists his style
also changed. View
of Paris from Montmartre, Paris
Seen from Vincent's Room in the Rue Lepic, Terrace
of the Cafè "La Guinguuette" and others are based on a
typical Impressionist interpretation.
Together with
Gauguin and Bernard, Van Gogh spent many days in Asnières, a popular spa town
on the Siene, not far from Paris. There he painted the views of Asnières
and the well-known The
Seine with the Pont de la Grande Jatte in summer 1887. In Paris
he frequently visited the Café de Tambourin on the Boulevard de Clichy and had
a love affair with its owner Agostina Segatori, a former model of Corot and
Degas. She sat for van Gogh and he painted her many times, e.g. Agostina
Segatori in the Café du Tambourin. In the café, together with
Bernard, Gauguin and Toulouse-Lautrec, he exhibited his works; they also
decorated the walls with Japanese colored woodcuts. They called themselves
“Peintres du Petit Boulevard” (painters of small boulevard) in contrast to
the “Peintres du Grand Boulevard” (Monet, Sisley, Pissarro, Degas,
Seurat), who exhibited in Theo van Gogh’s gallery. That year Vincent painted
several pictures using the techniques of Pointillism, e.g. The
Vase with Daisies and Anemones. During his two years in Paris van
Gogh painted more than 200 pictures.
In 1888 he
left Paris and went to Arles. At first Vincent rented a room in a restaurant.
The small attic was completely unsuitable for a studio and he mainly worked out
of doors. He did not know anybody who could sit as his model, and so the
landscapes of area around Arles with its trees, hills, bridges, huts became his
main theme. “An endlessly flat landscape – seen from a bird’s eye
view from the top of the hill – vineyards, harvested corn fields. All this is
multiplies to infinity and spreads like the surface of the sea to the horizon,
which is bordered by the hills of Grau,” wrote Vincent van Gogh about his
surroundings. He painted many pictures with blooming flowers and trees, which
reminded of Japanese landscapes. On receiving the news of Mauvre’s death he
dedicated a picture to his memory Peach
Tree in Bloom. Soon he moved to the “yellow house”. Gradually he
made friends with people, who agreed to sit for him: Zouaves Milliet, a soldier,
Joseph Roulin, the country postman, Madame Ginoux an owner of a station
restaurant in Arles, and others.
In October,
after Vincent’s repeated requests, Gauguin came to stay with him in Arles. Van
Gogh was overjoyed. He gladly let Gauguin take the lead-role in art, placing
himself in the role of a student. They worked out a lot of motifs together,
compared the results and argued over artistic concepts. But their partnership
could not last long, they were too different personalities, and besides, van
Gogh was seriously ill. Guaguin decided to leave, but “ever since I wanted to
leave Arles, he has been behaving so strangely that I hardly dare to breathe.
‘You want to leave’, he said to me and as soon as I answered in the
affirmative he tore a piece, containing the following sentence, from the
newspaper: ‘The murderer, has fled’,” Gauguin was later to recall in a
letter. Van Gogh really appeared to be going mad. Gauguin waited with leave:
“In spite of a few differences I can't be angry with a good chap who is ill
and suffering and calling for me.” On the 23rd of December Gauguin went for a
walk in the evening and heard steps behind, he turned and saw van Gogh, his face
distorted, a razor blade in his hand. Gauguin spoke softly to Vincent, the
latter turned and went away. When later Gauguin returned home, the whole of
Arles was already there. Plagued with hallucination, Van Gogh cut off the lower
part of his left his ear; after he managed to stop bleeding he wrapped the ear
in a handkerchief, ran to the town brothel and gave the awful package to a
prostitute. Then he returned home and slept. In this state police found him and
took to town hospital. Gauguin immediately left. In order to quiet his bad
conscience he later wrote in his autobiography that van Gogh had threatened him.
Theo
immediately came to Arles. Epilepsy, dipsomania and schizophrenia were the
presumed causes of Vincent’s illness. He stayed in hospital for two weeks.
Back in his studio he painted the result of the catastrophe: his Self-Portrait
with Bandaged Ear. Sleeplessness and hallucinations went on. The
scared citizens of Arles initiated a petition asking to take Vincent back into
hospital. Looked after by a priest and a doctor, he lived in the Arles hospital
both as patient and prisoner until the beginning of May 1889. In May, although
he felt better, he went on his own desire into the mental hospital
Saint-Paul-de-Mausole near Saint-Rémy-de-Provence. “I am ready to play the
role of a madman, although I have not at all the strength for such a role”.
Theo paid for two rooms for Vincent, one as a studio with a view of the garden.
He was allowed to paint outdoors under the supervision of the ward attendant
Poulet. In the hospital he painted mainly landscapes. On January 31, 1890
Theo’s son was born and baptized Vincent Willem after his uncle and godfather.
Van Gogh dedicated the Branches
of an Almond Tree in Blossom to his nephew.
In May 1890
Vincent visited Theo and his family in Paris and then settled in Auvers-sur-Oise,
near Paris. The town was chosen because Dr. Gachet, himself a hobby painter and
friend of the Impressionists, was living there, he agreed to take care of
Vincent. In Auvers van Gogh painted more than 80 pictures. During these
last weeks of his life it was only due to his work that he could forget about
his illness, and he painted as if possessed. Among the works of the period are
religious works after Delacroix,
Pietà
and Good
Samaritan, the masterpiece The
Church in Auvers, multiple landscapes and portraits.
On the
evening of the 27th July 1890 van Gogh went at dusk into the fields and shot
himself in the chest with a revolver. With all his strength he managed to drag
himself back to the inn; here he died two days later in the arms of his brother,
who had hurried to his side. Besides Theo and Dr. Gachet some friends from
Paris, amongst them Bernard and “Père” Tanguy, took part in the funeral.
Thus ended
the singular life of an artist who defies comparison with any other. “I
can’t change the fact that my paintings don't sell. But the time will come
when people will recognize that they are worth more than the value of the paints
used in the picture.” -- Vincent van Gogh