馮筱才，復旦大學歷史系教授。主要研究20世紀中國歷史，特別關注政治社會史及政治經濟史。 研究興趣主要包括政商互動關系、群眾運動與政治動員、輿論控制及宣傳策略等方面。目前已出版兩部專書：《北伐前后的商民運動（1924-1930）》（台灣商務印書館，2004）以及《在商言商：政治變局中的江浙商人》（上海社科院出版社，2004）。
Feng Xiaocai is professor of Chinese History at Fudan University, China. His research focus is on twentieth-century China, with an emphasis on political, social and economic history. His research interests include: interaction between politics and business, political mobility and mass movement, media policy and propagation strategies, etc. He is the author of Merchant Movement in the North Expedition, 1924-1930 (Taiwan Commercial Press, 2004) and Business is Business: the Merchants from Jiangsu and Zhejiang Province in Changing Politics (Shanghai Academy of Social Science Press, 2004).
羅卡，曾任職香港國際電影節，策劃/編輯 “香港電影回顧”，後任香港電影資料館節目部；現已退休，仍任特約研究員。著作有<香港電影點與線>(2006), <黎民偉 - 人· 時代．電影> (合編, 1999), <香港電影類型論> (合著, 1997) 等書。英文專書有 <香港電影跨文化觀 > (合寫, 2004), <從舞臺到講臺--早期香港戲劇及演藝活動 1900-1941> (合寫, 1999)。有關香港電影的研究文章散見於北京《當代電影》《電影藝術》，香港的《香港電影》《電影雙周刊》《明報月刊》等期刊。
Law Kar was coordinator and editor of Retrospect of Hong Kong Film (1990-2000) published by the Hong Kong International Film Festival and he also served the Hong Kong Film Archive from 2001 to 2005. He is now retired and is project researcher for the Film Archive. His English publications include: Hong Kong Cinema - A Cross Cultural View (2004, co-authored), From Artform to Platform, Hong Kong Plays and Performances 1900-1941 (1999, co-authored), a chapter in Forever China (2008, Poshek Fu ed.), and In Full Speed (Esther Yau ed.). He also has publications in Chinese and his essays appear in several major film magazines in Hong Kong.
秦喜清，電影學博士，研究員，現任職中國藝術研究院電影電視研究所。主要研究領域為中國電影史、女性電影。主要發表作品有： 《歐美電影與中國早期電影（1920-1930）》（2008，中國電影出版社）， 《西方女性主義電影：理論、批評、實踐》（2008，中國電影出版社）， 《讓-弗·利奧塔：獨樹一幟的後現代理論家》（2002，文化藝術出版社）。
Qin Xiqing has a Ph.D. from the Chinese National Academy of Arts (CNAA) and is a Research Fellow at the Institute of Film & Television Studies, CNAA. Her research areas include: Chinese film history and women cinema. She is the author of European /American Cinema and Early Chinese Film(1920-1930) (China Film Press, 2008), Western Feminist Cinema : Theory, Criticism and Practice (China Film Press, 2008), and J-F. Lyotard: a Postmodern Theorist (2002, Culture & Arts Press).
蕭知緯，現任加州州立大學聖馬科斯分校歷史系副教授。他的主要作品有中國電影百科全書（與張英進合作）和諸多發表於學術刊物上的論文、主編的書籍。
Xiao Zhiwei is an associate professor in the History Department at California State University, San Marcos. His major publications include Encyclopedia of Chinese Film (co-authored with Yingjin Zhang) and numerous essays in academic journals and edited books.
容世誠，廣東中山人，香港大學中文系文學士，哲學碩士，美國普林斯頓大學博士，專攻中國戲曲。現任教於新加坡國立大學中文系，講授“中國戲劇”、“元明戲曲”、“中國文學和出版文化”等課程。研究興趣包括晚明戲曲、粵曲社會史、新加坡華族戲曲史、香港出版和電影文化史等。出版專著包括《戲曲人類學初探》（臺北：麥田，1997）、《粵韻留聲：唱片工業與廣東曲藝（1903-1953）》（香港中文大學香港文化研究中心，天地圖書公司，2006）。
Yung Sai-shing obtained his BA and M Phil degrees from the Department of Chinese, University of Hong Kong, and Ph.D. from the Princeton University. Specializing on traditional Chinese drama, he has been teaching in the National University of Singapore since 1991. His research interests include late Ming drama, social history of Cantonese opera/music (1900-1965), Chinese opera in Singapore, and Hong Kong cinematic and print culture during the 1950s. His major publications include: The Anthropology of Chinese Drama: Ritual, Theater, and Community (in Chinese) (Taipei, 1997; rpt in China, 2003); Cantonese Opera from the Gramophone: a Cultural History (1903-1953) (in Chinese) (Hong Kong, 2006).
楊遠嬰，研究員、博士研究生導師。現任北京電影學院電影學系主任、教授，電影研究所所長，《北京電影學院學報》主編。主要著作有：《華語電影十導演》（主編，2000）、《九十年代的第五代》）（主編，2000）、《WTO與中國電影》（主編，2002）、《電影作者與文化再現》（專著，2005）、《中國電影專業史研究：電影文化卷》（主編，2006）、《外國電影理論文選》（編譯，2006）、《電影學筆記》（著作，2009）、《女性的電影——對話中日女導演》（編著，2009）、《電影概論》（主編，2010）等。
Yang Yuanying is dean and professor of the Film Studies Department and the director of the Film Institute at Beijing Film Academy. She is also the chief editor of Journal of Beijing Film Academy. Her main publications include: Ten Chinese-language Film Directors (edited, 2000), WTO and Chinese Films (edited, 2002), Film Auteur and Culture Representation (2005), Chinese Film History Studies: Film Culture (edited, 2006), The Selections of Foreign Film Theories (edited and translated, 2006), Notes on Film Studies (2009), Women's Film – Talks with Chinese and Japanese Female Directors (edited, 2009), Introduction to Film (edited, 2010).
鍾寶賢，香港浸會大學歷史系教授，牛津大學博士。研究興趣主要有社會經濟史、商業史、商法及慣例史、華南及東南亞移民與企業研究。出版專書《香港華商集團和華南政治變遷》（倫敦）；論文散見於現代亞洲研究、亞歐研究等核心學術刊物；並著有書籍章節《企業全球化：歐亞商業文化》、《中國跨國企業：文化親緣與商業策略》。
Stephanie Chung Po Yin is professor of Department of History at Hong Kong Baptist University and she holds a D. Phil from the University of Oxford. Her research interests include social and economic history, business history, history of business laws and customs, as well as migration and enterprises in south China and Southeast Asia. Her publications include She is the author of Chinese Business Groups in Hong Kong and Political Changes in South China (London) and she has also published articles in major journals such as Modern Asian Studies and Asia Europe Journal. Other publications include book chapters “Corporate Globalization: Business Cultures in Europe and in Asia”and “Chinese Transnational Enterprises: Cultural Affinity and Business Strategies”.
菅原慶乃，關西大學文學系映像文化專修副教授，大阪大學言語文化學博士。1998年至2001年在北京電影學院留學（高級進修生）。主要論文有“1920年代上海的國片製片公司”及”1920年代的美國對中國電影市場的關注”等。
SUGAWARA, Yoshino is an associate professor in the Faculty of Letters, Kansai University. She holds a Ph.D. from the graduate school of language and culture studies of Osaka University. She was a senior advanced-study student at the Beijing Film Academy from 1998 to 2001. Her recent publications (Japanese) include Film production in Shanghai during the 1920's, The America's concerns about Chinese film market during the 1920's.
劉輝，深圳大學傳播學院副教授，影視教研室主任，從事香港電影、中國電影產業研究。
Dr. Liu Hui is Associate Professor of College of Communication at Shenzhen University, China. He teaches visual arts and movie history, and his research areas include HK films and Chinese film industry.
陳儒修，國立政治大學廣播電視系專任副教授，編著作品有Cinema Taiwan: Politics, Popularity, and State of the Arts（與Darrell Davis合編），著有《台灣新電影的歷史文化經驗》與《電影帝國》等，譯有《電影之死》與《佛洛伊德看電影》等。
Robert Chen Ru-shou is an Associate Professor at the Department of Radio-TV, National Chengchi University, Taiwan. He recently co-edited Cinema Taiwan: Politics, Popularity, and State of the Arts (Routledge, 2007) with Darrell Davis. His publications include The Cultural-Historical Experiences of Taiwan Cinema and Cinema Empire (both in Chinese).
黃懿王亭，國立政治大學廣播與電視研究所研究生。
Yi-ting Huang is a graduate student at the Department of Radio and Television, National Chengchi University, Taiwan.
張慧兒博士持有蘇格蘭聖安德魯斯大學 (University of St. Andrews) 頒發之電影研究博士學位，現任職該大學電影研究中心研究員 (The Leverhulme Trust Research Associate)，研究方向以東亞電影為主。編輯作品及著作（所有均以英文撰寫）包括 Cinemas, Identities and Beyond (Cambridge Scholars Publishing, 2009)，Film Festival Yearbook 2: Film Festivals and Imagined Communities (St. Andrews Film Studies, 2010)，及 Film Festival Yearbook 3: Film Festivals and East Asia (St. Andrews Film Studies, 2011, 即將出版)。最新學術性評論文章以華語史詩電影及觀眾為題材，收錄於 Robert Burgoyne 編輯的 The Epic Film in World Culture (Routledge, 2011, 即將出版) 內。
Ruby Cheung is The Leverhulme Trust Research Associate at the Centre for Film Studies at the University of St Andrews, Scotland, where she works as part of the ‘Dynamics of World Cinema’ team. She holds a PhD in Film Studies from the University of St. Andrews. Cheung’s research interests include East Asian cinemas, Asian film industries, diasporic film distribution, regional and national film policy, Chinese diasporic on-line fandom and issues of film promotion. She is the editor of Cinemas, Identities and Beyond (Cambridge Scholars Publishing, 2009), co-editor of Film Festival Yearbook 2: Film Festivals and Imagined Communities (St. Andrews Film Studies, 2010), and Film Festival Yearbook 3: Film Festivals and East Asia (St. Andrews Film Studies, 2011, forthcoming). Her latest work includes a contribution to the volume The Epic Film in World Culture (edited by Robert Burgoyne, Routledge, 2011, forthcoming) in which she discusses extensively on Chinese epic films and Chinese spectatorship.
唐維敏，輔仁大學大眾傳播學系副教授，輔仁大學學術交流中心主任及國際教育處副主任。研究興趣包括中國電影，台灣研究和文化研究。曾翻譯並編輯有關電影、媒體與文化研究的文章和專書，並參與金馬影展工作。
Albert Wei-min Tang is currently Associate Professor in Film and Cultural Studies in Fu Jen Catholic University, Taiwan. His research interests include Chinese cinema(s), Taiwan studies, and Cultural Studies. He also serves as Director of Academic Exchange Center and deputy Director of EUTW at FJU Office, Office of International Education. He has translated and edited several articles or books in Film, Media and Cultural Studies, and has worked for Golden Horse Film Festival two times.
吳月華，香港浸會大學電影學院研究生。《香港電影之父──黎民偉》紀錄片、香港電影資料館開幕節目《光影中的香港》展覽及光碟製作的編劇。著作包括《五十、六十年代的生活方式──衣食住行》、《邵氏星河圖》展覽特刊、《同窗光影──香港電影論文集》等。
Stephanie Ng is a Ph.D. student in Hong Kong Baptist University. She is also the scriptwriter of the documentary film, Lai Man Wai - Father of Hong Kong Cinema (2002) and the video production of the exhibition and the exhibition catalogue, Hong Kong on the Silver Screen (2001). She organized exhibitions, screenings, seminars and edited related publications in Hong Kong Film Archive from 2000-2003. Publications includes Hong Kong Cinema: Nostalgia and Ideology (co-author, 2007), Shaws Galaxy of Stars (co-editor, 2003), Living in Hong Kong – the 50s & 60s (co-editor, 2001) etc.
1985年獲中國藝術研究院電影研究所碩士學位，曾任北京中國電影藝術研究中心研究室副主任。1994年獲美國俄亥俄州立大學（OSU）博士學位。現任上海大學影視學院教授，副院長，博導，亞洲影視研究中心主任。近年發表的著述有：“大陸、臺灣、香港新電影中的中國經驗”（2001），“紅色理論，藍色理論，以及藍色理論之後”（2004），《中國當代電影的工業和美學：1978－2008》（2008），《影視批評：理論與實踐》（2003）， 以及《華語電影：理論，歷史，和美學》（2010）。
Xihe Chen graduated from The China Arts Academy with a master degree and The Ohio State University with a Ph.D. degree. He served as research fellow and deputy director at the research department of the China Film Research Center (Beijing) in the 1980s, and is now professor and deputy dean of the School of Film and TV Art and Technology, Shanghai University. His recent publications include Chinese Experiences in the Films of Mainland, Taiwan and Hong Kong (2001), Aesthetics and Political Economy of Chinese Cinema (2003), On Xie Jin’s Films (2004), Film and TV in Cross-cultural Context (2002), Film and TV Criticism: Theory and Practice (2003), Chinese Language Cinema: Theory, History and Aesthetics (2010). His English publications include: Shadowplay (Ying-Xi): Chinese Film Aesthetics and Their Philosophical and Cultural Fundamentals (1990), Red Theories, Blue Theories, and Beyond (2004), and Film in Contemporary China: 1979-1989 (ed. 1993).
盧非易，美國南加州大學電影學院藝術創作碩士(MFA)，現任國立政治大學傳播學院副教授兼副院長。曾任編劇，導演，製作人，主持多項電影資料庫建置與研究計畫，並出版文學創作與影視媒體學術專書多種。主要著作為《台灣電影：政治，經濟，美學》、《Island on the Edge: Taiwan New Cinema and After》。其新近研究聚焦於數位敘事與新媒體。
Feii Lu graduated from the Cinematic School of the University of Southern California with a MFA degree. Lu is now Associate Professor and the Vice Dean of the Communication College, National Chengchi University. Lu is also writer, director and producer. He leads a number of research projects on film and has established several movie databases. His publications are mainly on media, culture critique and film research, including the award winning book Taiwan Cinema: Politics, Economy and Aesthetics and Island on the Edge: Taiwan New Cinema and After. His recent projects focus on digital narratives and new media.
